Combining Texts

All the ideas for 'The Roots of Reference', 'Artistic Value and Opportunistic Moralism' and 'Alfred Tarski: life and logic'

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17 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
The Axiom of Choice is consistent with the other axioms of set theory [Feferman/Feferman]
Axiom of Choice: a set exists which chooses just one element each of any set of sets [Feferman/Feferman]
Platonist will accept the Axiom of Choice, but others want criteria of selection or definition [Feferman/Feferman]
The Trichotomy Principle is equivalent to the Axiom of Choice [Feferman/Feferman]
Cantor's theories needed the Axiom of Choice, but it has led to great controversy [Feferman/Feferman]
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
A structure is a 'model' when the axioms are true. So which of the structures are models? [Feferman/Feferman]
Tarski and Vaught established the equivalence relations between first-order structures [Feferman/Feferman]
5. Theory of Logic / J. Model Theory in Logic / 3. Löwenheim-Skolem Theorems
Löwenheim-Skolem Theorem, and Gödel's completeness of first-order logic, the earliest model theory [Feferman/Feferman]
Löwenheim-Skolem says if the sentences are countable, so is the model [Feferman/Feferman]
5. Theory of Logic / K. Features of Logics / 4. Completeness
If a sentence holds in every model of a theory, then it is logically derivable from the theory [Feferman/Feferman]
5. Theory of Logic / K. Features of Logics / 7. Decidability
'Recursion theory' concerns what can be solved by computing machines [Feferman/Feferman]
Both Principia Mathematica and Peano Arithmetic are undecidable [Feferman/Feferman]
8. Modes of Existence / C. Powers and Dispositions / 3. Powers as Derived
Dispositions are physical states of mechanism; when known, these replace the old disposition term [Quine]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]
The works we value most are in sympathy with our own moral views [John,E]
We should understand what is morally important in a story, without having to endorse it [John,E]
We value morality in art because that is what we care about - but it is a contingent fact [John,E]